Do the Catholic & Orthodox believe that the Halo is apostolic unwritten tradition like other unwritten traditions: comparing to 2 Thessalonians 2:15?

According to the catholic and orthodox, is this apostolic unwritten tradition or adopted pagan tradition as mentioned by newadvent website? If it is adopted pagan tradition, then this means that other pagan traditions could be incorporated in the church? Do they fall under the anathema of the 7 ecumenical council, since these traditions are unwritten? If this is the case, would there be apostolic unwritten traditions and pagan unwritten traditions in the church as unwritten traditions? How should this be understood? ------------------------------------------- > **Second Council of Nicaea – 787 A.D. ( 7th ecumenical council):** > >If anyone rejects any written or unwritten tradition of the church, let > him be anathema. - [Second Council of Nicaea – 787 A.D.](https://www.papalencyclicals.net/councils/ecum07.htm) > **2 Thessalonians 2:15** > >Therefore, brethren, stand fast, and **hold the traditions** which ye have been taught, **whether by word, or our epistle**. > >https://biblehub.com/2_thessalonians/2-15.htm ---------------------------------------- > > **1 Corinthians 4:6** > >Now these things, brothers, I have applied to > myself and Apollos for your sakes, **so that in us you may learn not to > go beyond what is written**, so that no one of you will become puffed up > on behalf of one against the other. > > https://biblehub.com/1_corinthians/4-6.htm --------------------------------------- > **2 Cor 6:14-18** > >14 Be ye not unequally yoked together with > unbelievers: **for what fellowship hath righteousness with > unrighteousness? and what communion hath light with darkness? 15 And > what concord hath Christ with Belial? or what part hath he that > believeth with an infidel? 16 And what agreement hath the temple of > God with idols?** for ye are the temple of the living God; as God hath > said, I will dwell in them, and walk in them; and I will be their God, > and they shall be my people. **17 Wherefore come out from among them, > and be ye separate,** saith the Lord, and touch not the unclean thing; > and I will receive you. 18 And will be a Father unto you, and ye shall > be my sons and daughters, saith the Lord Almighty. ---------------------------------------------- > **Deut. 12:30-31** > >30 **Take heed to thyself that thou be not snared by following them**, after that they be destroyed from before thee; and > that thou inquire not after their gods, **saying, How did these nations > serve their gods? even so will I do likewise. 31 Thou shalt not do so > unto the LORD thy God:** **for every abomination to the LORD, which he > hateth, have they done unto their gods;** for even their sons and their > daughters they have burnt in the fire to their gods. -------------------------------------------- This information is from the internet, I can not guarantee how accurate it is. But it seems that most if not all fake "gods" had halos before the Christian iconography? **Pagan:** **(Content notice: This post contains depictions of nudity that may be visible on the photos of the pagan mosaics.)** (2nd c. AD) Dionysos, Nike & Maenad (Bakche) - Zeugma mosaic - Triumph of Dionysus (Gaziantep Museum - Turkey) This pavement comes from the House of Poseidon. 1.https://www.flickr.com/photos/28433765@N07/50616496196 2.https://pbase.com/dosseman/dionysostriumf 3.https://pbase.com/dosseman/image/170042225 4.https://pbase.com/dosseman/daedalus ---------------------------------------------- (Naked!) (circa 3rd-4th c. AD.) A ROMAN MARBLE MOSAIC PANEL Depicting the goddess Venus rising from the sea, supported by two tritons, both with a human torso, equine legs and a fish-tailed lower body, the goddess haloed, holding a mirror in her left hand and a cosmetic applicator in her right, nude but for a mantle wrapped around her hips and legs, coiled bracelets on each wrist, a fish in the lower corners. 1.https://tr.pinterest.com/pin/1121607482184251399/ 2.https://www.christies.com/en/lot/lot-1818486 --------------------------------------------------------------- (3rd - 4th century) Mosaic from the House of Menander with Zeus. Room 20, Panel A (Seattle Art Museum) - (Daphne, suburb of Antioch, Antakya) (limestone and marble tesserae) 1.https://www.bridgemanimages.com/en/roman/mosaic-from-the-house-of-menander-with-zeus-3rd-4th-century-limestone-and-marble-tesserae/limestone-and-marble-tesserae/asset/6348234 2.https://antiochmuseumofart.org/house-of-menander/ 3.https://www.flickr.com/photos/mharrsch/22214048901/in/pool-ancient_mosaics_in_turkey/ https://www.meisterdrucke.ie/similar/943506.html ------------------------------------------------ (2nd-3rd c. AD,) Roman mosaic showing Apollo and Daphne, (Princeton University Art Museum) --------------------------------------------------------------- (Naked)“The Triumph of Neptune,” a late 2nd century CE mosaic from La Chebba, Tunisia. The central scene depicts a bearded Neptune riding in a chariot pulled by sea horses; he is flanked by his sons Triton and Proteus. The corners of the mosaic feature women and agricultural scenes representing the four seasons. As bringer and withholder of water, Neptune would have held agency over seasonal change. Bardo National Museum, Tunis, Tunisia https://mythopedia.com/topics/neptune/ https://smarthistory.org/mosaic-decoration-at-the-hammath-tiberias-synagogue/ --------------------------------------------------------------- (Naked) One of the mosaic panels located in the museum of the city of Shebha in southern Syria. Each panel recounts ancient Greek myths introduced by the Romans in the mid-third century AD. This panel depicts Aphrodite and Oris, the goddess of beauty. The panel depicts women and the goddess of love competing to win the weapons of the goddess Oris. The panel is decorated with inscriptions, ornaments, and numerous aesthetic motifs that illustrate the myth. https://en.wikipedia.org/wiki/Shahba ------------------------------------------------------------------- (123 AD) Roman mosaic of Hunting goddess Diana found in the (baths of Oceanus at Sabratha built in 123 AD) https://x.com/libyanhistory/status/873175058302324736 https://caffetteriadellemore.forumcommunity.net/?t=47244810 https://www.temehu.com/Cities_sites/museum-of-sabratha.htm ------------------------------------------------------------------- (Naked) Triumph of Poseidon and Amphitrite, showing the couple in procession. Detail of a large Roman mosaic from Cirta, Roman Africa (c. 315–325 AD, now at the Louvre) https://en.wikipedia.org/wiki/Neptune_%28mythology%29 ---------------------------------------------------- Hatay Archaeological Museum, Antakya, Turkey. Artemis, the fierce goddess of the hunt This mosaic of Artemis was discovered in the ancient city of Issus. It was found in the tepidarium of a bathhouse in the city. The 43-square-meter mosaic floor dates from Late Antiquity (3rd and 4th centuries AD). At the center of the mosaic is the goddess Artemis, ruler of the wild, and around her are figures of animals and plants. https://chroniquescynegetiques.com/2024/10/03/artemis-la-farouche-deesse-de-la-chasse/ -------------------------------------------------------- (Naked) Aion enthroned, holding a zodiac wheel in his right hand, a scepter in his left, his head surrounded by a holo or aura [3rd cent AD] - Arles, Musée de l'Arles antique - wm Aion (Greek: Αἰών) is a Hellenistic deity associated with time, the orb or circle encompassing the universe, and the zodiac. The "time" represented by Aion is unbounded, in contrast to Chronos as empirical time divided into past, present, and future. He is thus a god of eternity, associated with mystery religions concerned with the afterlife, such as the mysteries of Cybele, Dionysus, Orpheus, and Mithras. Source: wikipedia en.wikipedia.org/wiki/Aion_(deity) --------------------------------------------------- A grand mosaic of Isis and Serapis, Roman early 3rd century https://www.pinterest.com/pin/341288477982180030/ Roman mosaic depicting Isis and Serapis (3rd cent. AD) https://the-avocado.org/2018/03/05/navigium-isidis-an-ancient-religious-festival/ https://medium.com/@ancient.rome/why-are-greek-roman-and-norse-mythologies-so-similar-8bb530da993c Emperor Septimius Severus (193–211 AD) as Serapis and his wife Julia Domna as Isis on a mosaic from Huwara, Egypt. Altes Museum, Berlin. Early 3rd century AD. https://www.augustaraurica.ch/assets/content/files/publikationen/Magazin-AR/AR-2017_2_Isis-Fortuna_Ruetti.pdf Roman mosaic depicting Isis and Serapis (3rd cent. CE) https://cjapedia.com/happy-navigium-isidis-march-5 ------------------------------------------------------- Niche with a polychrome mosaic of Silvanus Excavated in 1861 in the Palazzo Imperiale, in a room next to the mithraeum. Date: reign of Commodus or Septimius Severus. W. 0.87, h. 1.57, h. of Silvanus 0.71. With text OSTIAE EFFOS ANNO MDCCCLXI. In front of the niche a lamp for two wicks was found, perhaps inv. nr. 625. A relief of Silvanus was found nearby. Inv. nr. 10729. Benndorf-Schöne 1867, nr. 551. Arachne 20773. Photo: SO IV, Tav. 211. https://www.ostia-antica.org/museums/mus-vm-ml-silvanus.htm ------------------------------------------------ **Considered Christian:** (7th c. AD) - (634-730 AD) - Saint Demetrius of Thessaloniki. (Hagios Demetrios - Thessaloniki - Greece). Votive mosaic representation from the 7th century on the northeast pillar of the church. The basilica is famous for six extant mosaic panels, dated to the period between the latest reconstruction and the inauguration of the Byzantine Iconoclasm in 730. https://en.wikipedia.org/wiki/Hagios_Demetrios https://www.macedonian-heritage.gr/HellenicMacedonia/en/img_C233a.html https://www.flickr.com/photos/60661697@N07/51241589472/in/pool-ancientgreece/ St. Demetrius. 7th century. Basilica of St. Demetrius, Thessaloniki. Mosaics on the pillars at the entrance to the altar and on the western wall of the main nave https://www.icon-art.info/bibliogr_item.php?id=21 https://macedonia.kroraina.com/en/rheb/rheb_mp.htm#1 -------------------------------------------------------- (No beard)(the end of 4th c. AD - the beg. of 5th c. AD) - (Christ)(Church of the Savior of the Latomou Monastery (Church of Hosios David)), (Thessaloniki, Greece). Mosaic with Christ and probably with Saints Peter and Paul on the sides - Lazarev attributes these mosaics to the end of the 5th beginning of the 6th century of the contemporary period to the Theodoric period connecting them to the mosaics of the basilica Sant'Apollinare Nuovo in Ravenna. 1.https://en.wikipedia.org/wiki/Church_of_Hosios_David 2.https://macedonia.kroraina.com/en/rheb/rheb_mp.htm#1 3.https://ru.pinterest.com/anastasyatatarn/chiesa-del-salvatore-del-monastero-di-latomou-chie/ https://vk.com/photo-35220730_312236388 https://flickr.com/photos/28433765@N07/15338085684/in/pool-2740017@N23/ Jesus Christ in glory. Mosaic in conch apses. End of 5— beginning of 6 th. c AD https://www.pravenc.ru/text/2581611.html https://ru.pinterest.com/pin/223843043962682817/ --------------------------------------- Justinian I AR Light Miliarense. Constantinople mint. Struck 527-537 AD. D N IVSTINIANVS P P AVG, pearl diademed, draped, cuirassed bust left / GLORIA ROMANORVM, Justinian, nimbate, standing facing, head left, raising hand and holding globe; star in right field; mintmark COB. DOC I 26. https://www.wildwinds.com/coins/byz/justinian_I/t.html -------------------------------------------- St. Aquilin Chapel, (4th c. AD ? Beg.of the 5th c. AD) mosaic. (No beard, short hair) https://www.flickr.com/photos/roger_joseph/5417358183/ https://vk.com/photo-35220730_312171522 Christ teaching the Apostles , Late4th century https://art.kunstmatrix.com/en/artwork/1882721/christ-teaching-apostles ------------------------------------------- Angelic Ranks (Dominions and Powers). Mosaic of the 7th century. Church of the Dormition of the Virgin Mary. Nicaea. https://vk.com/photo-35220730_312783865 Heavenly Powers. Mosaic of the Church of the Dormition of the Blessed Virgin Mary. 7th century? (7 c. AD?, 9 c. AD?) (2 sources 7c. AD and 1 source 9.c. AD) (9. C AD) https://azbyka.ru/otechnik/ikona/iskusstvo-vizantii-4-15-vekov/4 (7 c. AD) https://www.icon-art.info/bibliogr_item.php?id=21 https://www.pravenc.ru/text/200147.html ---------------------------------------- Santa Costanza in Rome. End of the 4th c. AD. The Mausoleum of Costanza (Constantina) (VIII) This 4th-century mausoleum was built under Constantine the Great for his daughter Constantina (Costanza), who died in 354 AD. His other daughter, Helena, is also buried here. The mosaics on the ambulatory vaults are an excellent example of late antique and early Christian art. https://vk.com/photo-35220730_312171210 https://www.flickr.com/photos/isawnyu/7556340750 https://www.mediastorehouse.com/search.html?search=ancient+halo ----------------------------------------- Mural painting of Jesus Christ from the catacomb of Commodilla. Rome, late 4th century. The symbols on either side are Alpha and Omega. Remember that the Christ is "beginning and end." Revelation 22, 13: "I am Alpha and Omega, the beginning and the end, the first and the last." https://vk.com/photo-35220730_312138059 https://diglib.library.vanderbilt.edu/diglib-fulldisplay.pl?SID=20250124369513274&code=act&RC=49950&Row=109 --------------------------------------------- Mosaic of Orans and Donors (5th-6th century) Church of St. Demetrius - Thessaloniki - Greece. Wall mosaics from the small north colonnade in the Church of St Demetrius Thessaloniki, saved from the fire of 1917, 5th-6th c. Museum of Byzantine Culture, Thessaloniki, Greece https://www.thebyzantinelegacy.com/demetrios-thessaloniki -------------------------------------------- Santa Pudenziana in Rome. 390AD - (401-417) AD The 4th century Basilica di Santa Pudenziana contains some fine mosaics, including this one in its apse. I gather that it is the earliest Christian mosaic to be found anywhere in Rome (it dates from 390). As the excellent Cadogan guide to Rome says, 'artists had yet to decide on the familiar iconography of the saints; here all have become honorary Roman citizens ... in their senatorial togas'. https://vk.com/photo-35220730_312171270 https://www.flickr.com/photos/24151047@N05/47846198011 https://my-passion.blog/2018/11/29/oldest-paintings-of-jesus/ ------------------------------------------------- The Good Shepherd. Mid-5th century. Mausoleum of Galla Placidia, Ravenna. Mosaic in the lunette Лазарев 1986 - История византийской живописи. Т. 2. OCR hires #21.pdf https://www.icon-art.info/bibliogr_item.php?id=21 https://vk.com/photo-35220730_312236302 The Good Shepherd , c 425 AD Mausoleum of Galla Placidia, Ravenna, Italy https://art.kunstmatrix.com/en/artwork/1882044/good-shepherd https://my-passion.blog/2018/11/29/oldest-paintings-of-jesus/ https://byzantinenews.blogspot.com/2014/02/cfp-miracles-and-wonders-in-antiquity.html https://azbyka.ru/otechnik/ikona/iskusstvo-vizantii-4-15-vekov/1 ---------------------------------------------------- Baptism of Christ and the Twelve Apostles. Mid-5th century. Orthodox Baptistery, Ravenna. Mosaics in the dome Лазарев 1986 - История византийской живописи. Т. 2. OCR hires #21.pdf pg. 32 https://www.icon-art.info/bibliogr_item.php?id=21 Domed Mosaic Ceiling , 547 AD Basilica of San Vitale, Ravenna, Italy. https://art.kunstmatrix.com/en/artwork/1882765/domed-mosaic-ceiling Ravenna. Mosaic in Baptistery of Neon. 5th century. Baptism of Jesus. Italy. https://www.alamy.com/ravenna-mosaic-in-baptistery-of-neon-5th-century-baptism-of-jesus-italy-image238557621.html https://www.flickr.com/photos/35409814@N00/11904625526/ https://www.flickr.com/photos/60661697@N07/17795977821/in/pool-1307009@N23/ -------------------------------------------- (River “god”? to left?) Arian Baptistery in Ravenna. Late 5th-early 6th c. AD. Mosaics in the dome https://www.icon-art.info/bibliogr_item.php?id=21 https://www.flickr.com/photos/bobbex/52646912056 https://flickr.com/photos/27305838@N04/15953924945/in/pool-2740017@N23/ ------------------------------------------------------ (Dark skin) 526-530 AD.Christ - Church of Santi Cosma e Damiano. Rome. https://vk.com/photo-35220730_313024499 https://israelandpalestinediary.blogspot.com/2015/12/was-jesus-palestinian-or-was-jesus.html ------------------------------------------------------ Jesus Christ flanked by Saints Peter and Paul · Catacombs of Saints Peter and Marcellinus, Rome, 4th century AD. https://my-passion.blog/2018/11/29/oldest-paintings-of-jesus/ Christ between Saint Peter and Saint Paul, above four martyrs worshiping the Mystic Lamb, 4th century (dome of the Catacombs of the Saints Peter and Marcellinus, Rome). https://arsartisticadventureofmankind.wordpress.com/2014/07/07/early-western-christian-art-during-the-iiird-ivth-and-vth-centuries-the-painting-of-the-catacombs/ ----------------------------------- Year of Object(s) Creation: 550 A.D. (approximate) Provenience Nation: Cyprus Provenience Location: Church of the Panayia Kanakaria Year Removed from Findspot: 1975 (approximate) https://research.cgu.edu/cultural-property-disputes-resource/cpdr/church-of-panagia-kanakaria-mosaics/ ---------------------------------- **Sources:** 1. In early Christian art the nimbus certainly is not found on images of God and celestial beings, but only on figures borrowed from profane art, and in Biblical scenes; 2. Hence it follows that the Bible furnished no example for the bestowal of a halo upon individual saintly personages. 3. As a matter of fact the nimbus, as an inheritance from ancient art tradition, was readily adopted and ultimately found the widest application because the symbol of light for all divine, saintly ideals is offered by nature and not infrequently used in Scripture. 4. The nimbus of early Christian art manifests only in a few particular drawings, its relationship with that of late antiquity. 5. In the first half of the fourth century, Christ received a nimbus only when portrayed seated upon a throne or in an exalted and princely character, but it had already been used since Constantine, in pictures of the emperors, and was emblematic, not so much of divine as of human dignity and greatness. 6. The number of personages who were given a halo increased rapidly, until towards the end of the sixth century the use of symbols in the Christian Church became as general as it had formerly been in pagan art. https://www.newadvent.org/cathen/11080b.htm ---------------------------------------------------- 1. NIMB (from Latin nimbus – cloud) – a glow around the head – as a sign of divine power, originated in the East. In Ancient Egypt and Mesopotamia, deities were depicted with a solar disk above their heads or with rays coming out of their heads. Later in Ancient Greece, the god of light Apollo and the god of the sun Helios began to be depicted with a radiant halo around their heads. The pagan halo is a symbol of the shining sun, divine flame, sacred light. 2. THE IDEA OF THE CHRISTIAN HALO was formed only in the 4th century. In Christianity, the halo is a symbol of participation in the essence of the One God. Since "God is light" (1 John 1:5), the halo is part of this light. The halo reveals the essence of Christ as the Heavenly Light revealed to the world. On the vault of the cubicle of Leo in the catacombs of Commodilla is one of the first images of Christ with a halo around his head. This fresco dates back to the second half of the 4th century. Jesus Christ. Second half of the 4th century. Fresco. Catacombs of Commodilla, Rome. 3. In the iconography of Angels, the halo becomes a mandatory attribute in the 5th century. 4. The nimbuses of the Apostles and saints appear only at the end of the 5th century. 5. A cross-shaped (cross-shaped) halo is a round halo with a cross placed inside it, which symbolizes the atoning sacrifice of Christ in the name of saving humanity. Among the earliest known images of Christ with a cross-shaped halo is a bas-relief from a sarcophagus of Constantinople origin from the beginning of the 5th century, depicting Christ with the apostles. The relief is poorly preserved, but traces of the crossbars of the cross can be seen on the halo. 6. By 6 th. c. AD the cross on the nimbus of Christ becomes almost mandatory. Ovchinnikov A. N. Symbolism of Christian Art. – M.: Rodnik, 1999. Pp. 10–19. https://dzen.ru/a/ZXl5T1_d5C72wmOv -------------------------------